Video is the record nobody can search
TwelveLabs starts from a problem familiar to anyone who has hunted for one clip in a drive full of footage. Keyword search reaches titles, tags and descriptions, but not what happens inside the video. The CEO, Jae Lee, told TechCrunch in December 2024 that most organisations will not assign people to sift through their video archives. So footage piles up, and finding a moment depends on someone remembering where it is. The company's own estimate of how much of the world's data is video varies by speaker and month, from over 80 percent in June 2026 to upwards of 90 percent in July 2026, so read it as a claim about direction.
The world does not happen in text. It happens in motion.
Jae Lee · Co-founder and CEO · Founder letter on the company blog, Series B announcement · 2026-07-01
The belief that sets TwelveLabs apart is about where understanding comes from. In the July 2026 letter Lee calls language how humans compress reality after the fact, useful but lossy, and says most AI systems are trained on that compression while TwelveLabs chose to build on the signal. The release the same day puts it in one line: "Not language models watching video, but models born in video." In 2024 he described the difference as focus: for TwelveLabs, video is "not an add-on" to a general model.
Why the bet looks different in 2026
Three things changed between the start, about five years ago, and today. Attention: in November 2025 co-founder Soyoung Lee said she saw a lot of innovation in large language models and in video generation such as Sora, but not in video understanding, and the CTO, 이승준, had called the moment an inflection like text AI before ChatGPT. Money: $50M in June 2024, $30M from strategic investors in December 2024 and a $100M Series B in July 2026. Distribution: the models are sold through Amazon Bedrock, and a June 2026 interview with its head of strategic partnerships noted that customers often already keep the data they want analysed on AWS.
What winning looks like is stated plainly. The founder letter sets the goal "to make every second of video addressable, searchable, and usable by agents". In December 2025 Lee said he wants TwelveLabs to index a large part of the world's video within four to five years. Note the word agents: the job postings expect software, not only people, to become the main reader of video, and the company builds for that reader.
One archive, four steps
Follow an illustrative newsroom editor, based on the company's integration with Mimir, a media asset management system. First the archive is indexed: Marengo, the embedding model, turns sight, sound and speech into numbers that capture meaning. Then the editor asks in ordinary language inside Mimir, and time-coded moments come back even where tags were thin. CBS News and Stations runs this pattern at scale; a CBS executive said at IBC2026 that about 800,000 hours were already digitised and that 4,000 hours were ingested in one week, a record.
Next, Pegasus, the video-language model, cuts whole videos into segments on a schema the customer defines and fills structured fields, so results flow into archive, editing or compliance systems. Last, the chosen moments go back into production, and a person decides what airs. In the CBS project, Soyoung Lee said TwelveLabs creates the metadata and is "not actually an application or an interface that end users are able to access". At RAISE Summit she described the judgment of good content as a human task.
The evidence that these models beat general ones is the company's own: Pegasus 1.5 against Gemini 3.1 Pro on tests TwelveLabs designed, Marengo 3.5 against Google and Amazon embedding models. The homepage's "+13.1%" over Gemini equals the gap between two scores, 0.4555 and 0.3243, a difference in points rather than a 13.1 percent gain. In an interview, ask how customers measure quality.
Each step maps to open Korea roles: Marengo indexes, Pegasus structures, and the platform roles keep the chain running for enterprise customers. The bet pays only if those steps hold up on hours of video, not clips.